Posted on July 13, 2006 at 6:56 pm
I thought one of the cool things I could do on this blog would be to show how my material evolved from demo recordings to finished product. The tricky part is that I didn’t want to post anything that was actually bad or even unfinished, although that would have been the most instructive, so in this series of recordings, you’ll find some really great demos of songs that didn’t change all that much in their finished versions. But what the Hell, it’ll be fun.
Putting together Songs for a New World was a long process, and along the way, I went into a number of very cheap recording studios and knocked out versions of the songs, usually with the help of some amazing actor friends who were kind enough to do it for free. Those demos circulated for a long time while I was trying to get someone, anyone, to produce the show, and in a lot of ways, I’m more used to the sound of those recordings than I am to the original cast album.
“The River Won’t Flow” evolved from two separate ideas. First, a producer had given me a treatment of a musical based on “Pinocchio,” but set in the ghetto (it’s hard to explain), and I had an idea that one of the scenes could be these two homeless guys fighting. (It was a terrible idea, and we’re all grateful that the show never happened.) So that was sort of where the idea of the story came from. The second thread was a song I had written in college called (I’m sorry) “You’re Ugly And Your Mother Dresses You Funny,” which had the same intro riff and also did the same half-time change in the chorus (courtesy of a drummer named Joe Tompkins).
It would be really wild to present a demo of “You’re Ugly And Your Mother Dresses You Funny,” but I’m not going to do that. Perhaps someone I went to college with wants to post it on their website and waste their bandwidth, but it won’t be me.
The present recording probably was made in September or October of 1994, and features quite an impressive cast, although they weren’t anywhere near as famous twelve years ago as they are now. Since Billy Porter didn’t appear on the original cast recording of the show, this is one of the few opportunities you’ll have to hear the sensational way he performed my music. And Brian d’Arcy James did several readings of the show with us, but ultimately couldn’t do the production at the WPA. (Brooks thinks he was the first choice, so don’t tell him.) Of course, you’ve probably heard Andréa’s voice on the original cast recording, but you may not know the genius that is Amy Ryder. I hope to put more of Amy’s recordings up in the future, she recorded almost all of Woman 2’s material at some point or another and she’s just brilliant.
Like I said above, there’s not much to be “discovered” here; the piano part is a little different, and the tempo is several notches north of where I ultimately decided it should be, but other than that, this is just a nice opportunity to hear four amazing singers tackle a new song just because they believed in it. I can’t thank them enough for supporting me and sharing their awesome talent with me back then.
Music and lyrics by Jason Robert Brown
Brian D’arcy James, Billy Porter, Andréa Burns, Amy Ryder: vocals
JRB: piano/conductor
Recorded and mixed by Jeremy Harris at Westrax Recording Studios, NY NY, September 1994
I’m off to Chicago for the State Farm show, so I’ll probably be incommunicado for the next two weeks, but you never know. Anyway, when I’m back, more news about concerts, recordings, and new shows! Meanwhile, keep your eyes open for reviews on the London production of “The Last Five Years,” which opens next Tuesday. The actors and director are just wonderful, so I’m keeping my fingers crossed.
Rock on, people,
J.
10 comments
Wow, this is great, thanks again. Brooks and Ty Taylor did great on the CD but I love Brian d’Arcy James and Billy Porter.
Please, please, please tell me you have Brian singing “She Cries” and/or Billy singing “Flying Home”!
I’ll echo what Michael said… it’s great to hear your stuff in the demo state–especially the SFANW material that Billy Porter recorded. Keep ’em coming!
Oh, and is there a possibility of you re-posting some of the songs you had up over the last few months (the Urban Cowboy stuff, etc.), perhaps on some sort of “unusual recordings” archive page? I’d love to go back and listen to those again and so would lots of other folks who were not familiar with your site until recently.
Thanks for sharing, JRB.
[A note from JRB: All the old songs are still available, right there on the old blogs. Just look at the archives!}
I was just recently introduced to your musical “The Last 5 Years” by my beautiful girlfriend two months ago…she bought the CD for it, and I’ve had “The Schmuel Song” stuck in my head ever since. Somewhat recently it was playing in Chicago, but we weren’t able to go…I wanted to try to surprise her by taking her to see a production of the musical, but I can’t find it anywhere! Is the show playing anywhere in the Eastern US? Preferrably closer to PA, but I’d drive to Arizona if it meant getting to see her light up at the prospect of watching this musical. Thank you for your time, Mr. Brown…I hope this comment finds you well!
In response to the request above!
Coastal Artists and The First Avenue Playhouse present:
THE LAST FIVE YEARS
Written & Composed by Jason Robert Brown
Thursdays-Saturdays NOW thru July 29 – 8:30pm
Sunday Matinee, July 16 – 2:30pm
First Avenue Playhouse, Atlantic Highlands, NJ
Featuring: Heather Lynn Milner & Mitchell Scott Shapiro
Directed by David J. Cruse & Musically Directed by Anthony Vitalo
Tickets include coffee, dessert and the show. Visit http://www.firstavenueplayhouse.com for more info on pricing, including dinner theatre packages and group rates. Tickets are available NOW!!! Reservations ARE Required!! Please Call 732-291-7552. For more info, photos and more visit – http://www.coastalartists.org or http://www.myspace.com/coastalartists
Wow, hearing Billy and Brian (two of the greatest contemporary vocalists, in my humble opinion) singing the work of the greatest contemporary composer (and I’m not sure that can be argued). Brooks and Ty are great, but this feels like a whole different and wonderful song. Thanks so much, JRB.
Wow. That’s fun.
I wanted to let you know that I saw a performance of your Songs for A New World last night in Reno as a part of that community’s “Arttown” event…it was wonderful!
I really didn’t know what to expect, I love your music, but in Reno, it was outstanding. Just thought you should know that the performance, the vocals, staging and dance were the best I’ve seen in this area in a long time… They really did your work justice.
Andy
So Brandon, did you take your girlfriend to see THE LAST FIVE YEARS?
– Francesca
I have apparently been “challenged” by my old friend Jason to put up a link to a historical performance of his ubiquitous song “You’re Ugly And Your Mother Dresses You Funny” on my website. Perhaps Mr. Brown thought that the Soviet-era “mutual assured destruction” principle would apply; in other words, since we all have really embarrassing 1989-era hairdos, this tape would serve as blackmail material for any of us involved, and I wouldn’t actually do it.
However, since I really have no shame when it comes to things like this, here is a 7-minute clip from the 1989 performance of the “Eastman Chamber Rock Ensemble” (the oversized band that Jason founded while we were in school) featuring “You’re Ugly And…”. You asked for it, buddy:
http://www.saxmike.com/MyMusic/MyMusic.asp?Menu=MYMUSIC
I just saw The Last 5 Years twice at Pasadena Playhouse, and I really enjoyed it (both times)! The cast did a great job, as did the band (piano & cello). I was excited to read that this music director is also working with you on “13”. Can’t wait!
p.s. The “You’re Ugly And…” video just made my day!
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